Episode 2.04 - Red

Written By: Jeph Loeb
Directed by: Jeff Woolnough
Original Air Date: October 15, 2002

The school unknowingly uses red kryptonite in the class rings and its effect on Clark (Tom Welling) stuns his friends and family as he turns into a rebellious and dangerous teenager who decides to use his powers for evil instead of good. Jonathan (John Schneider) and Martha (Annette O’Toole) scramble to find the truth behind Clark’s behavior before he exposes his true identity, while Lana (Kristin Kreuk) finds herself drawn to the “new” Clark who declares his love for her.

“Unexpected” by Sprung Monkey — Plays at the start of the episode when Clark slips on his class ring and experiences the effects of red kryptonite for the first time.

“American Made” by Sprung Monkey — Played when Jonathan and Martha find Clark in his loft, really not himself. “American Made” blasts on a new stereo system until Jonathan pulls the plug.

“Breakable” by Fisher — Played during the Clark/Lana scene when he asks her out,tells her he’s going to be honest with her and kisses her.

“It’s Time To Party” by Andrew W.K. — Heard playing at the bar when Clark and Lana go there on their date.

“Tattoos”by Jackpot — Played when Clark dances “one dance” with Jesse at the bar, leaving Lana confused and upset. The song continues to play as Clark gets into a bar brawl.

“Breathe In” by Frou Frou — Heard playing in the background when Chloe visits Lana at the Talon and they talk about how Lana’s date with Clark went bust.

“Stop Crying Your Heart Out” by Oasis — Plays at the end of the episode
when Clark tries to apologize to Lana for his red-kryptonite behavior, hoping
they can be friends like they were.

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Chloe: So I heard from a source that you had a big date with Clark last
night.

Lana: I wouldn’t call it a date when the guy you came with leaves with
someone else.

Chloe: Wow. You just went from the gossip column to page one.

Jonathan: I appreciate your concern, but Clark and I can work this out.

Lex: Then why is Clark hiding out at the mansion?

Lionel: Jonathan and Martha Kent’s son? As far as I know, they’re good
people. Salt of the earth. I’m astonished they’d raise such a blatantly
aggressive offspring. Clark: Well, if you like them so much, I’m sure they’ll
put you up. I hear they have a spare bedroom, and I, uh, know they could use the
cash.

Lionel: You’ve got a lot to learn about tact, young man. But you speak
your mind. That’s good. It’ll take you far. Clark: Oh, I’m going to the top.

US Marshal: Computer disks, accounting files, memos…endless smoking
guns. Look, we can split it. It’s enough money to start a whole new life.

Clark: It’s a great idea…but who needs you?

US Marshal: He was a dead man when he started running. Clark: Didn’t I
tell you that I didn’t want to split?

Lex: (Interrupting) Actually, you gave me some excellent advice. You told
me to stop feeling sorry for myself. These were the cards fate had dealt me, and
it was best that I accept it and move on. Stop acting like your blindness gives
you an excuse for self-pity. Lionel: So the son becomes the father. Lex: No Dad.
I’m through indulging you like a child. My office remains my office. You don’t
like it, leave.

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Quote of the Week:

Chloe: Well, welcome to the conundrum that is Clark Kent–part knight
in shining armor, part ‘Where did that come from?’